Takin’ Care of Business: Act Two

24th April 2021

No photo description available.
Nicholas Young as ‘Elvis,’ with Jason Daly
No photo description available.

ACT TWO

It is seventeen weeks later. The room is even more tacky, with junk food wrappers and various Americana and kitsch items strewn around. As the Act begins, both are sitting on the chairs. Colonel tries to read but is put off by noises and mumblings coming from Elvis. He stares at Elvis, who seems oblivious. After some moments of silence :

Col: So then … what’s your favourite Elvis song ?

(slight pause)

Elv: All of them.

(slight pause)

Col: What’s your schedule this week ? I said …oh, what’s the use ? Think I’ll go and see Cordelia.

Elv: (suddenly appearing animated ) Oh yeah, the little lady. You take good care of that sweet lil’ bundle of honey – loving.

Col: What would you suggest ? Man of your experience.

Elv: (deep in thought) Uh … women. Boy. Whewww.

(Elvis doesn’t seems as if he’s going to add anymore.)

Col: Thank you, that was very helpful.

Elv: Shoes.

Col: Excuse me ?

Elv: Yeah, shoes. They love shoes. Buying shoes, trying  shoes, choosing shoes, they never wear them. Then take them out. A show, something that women like.

Col: Such as ?

Elv: That play they’re all clucking about … what’s it called ? Something … The Monotonous Vagina, that’s it.

Col: OK. Actually, I’m gonna break up with her. I don’t think it’s working out.

Elv: Attaboy ! Send her back to the farmyard where she belongs. Then when you come back we’ll go cruising on beaver patrol. I’ll show you why they call me ‘The Pelvis’. This rooster’s gonna rustle a few feathers, t’nite !

(He gets up and rubs his back, making slight moaning sounds)

Hold that thought, boy, not sure the King’s back could take it. Couldn’t you just pick up a pair of cuteys ? Use my name. That’ll work.

Col: Well I wasn’t planning on going down Hackershe Mackt (1) way. Listen, why don’t you use those phone numbers … satisfaction guaranteed, all for local rates.

Elv: And they’ll come here ?

Col: No !

Elv: Then …. ?

Col: You know … you know.

Elv: Yeah … what ? I dunno … what ? Oh….OH ! No, listen, I’ve been meaning to have a little chat with you … now seems a good time, what with you breaking up with Corolla.

Col: Cordelia.

Elv: See ! There you go, again. You always have to disagree with me … anything for an argument. When I think of what I gave, what I give to you, shucks, I don’t like to say, but doggone it, people would be falling over themselves to have your job. I don’t ask much, I’m just a simple country boy at heart, don’t let these luxury surroundings tell you otherwise. You have to admit, your work isn’t backbreaking, twenty-four hour a day hard manual labor. Hell, boy, it ain’t hardly work at all. I thought you liked looking after me … me who, well, me who gives so much pleasure to millions … don’t you think …

Col: Whoa, there, Tiger, time-out, time bloody out ! Enough is enough … what was the first record you bought ? What were the names of your pets  ? What’s the ingredients of your favorite peanut-butter and banana sandwich ? I have to say that your knowledge of trivia is disarmingly poor. I’m ashamed of you ! What happened last week ? Opening that dry cleaners ?                     

Elv: “Star Cleaners … feel like a star.”

Col: And that little kid comes up, asking where you were born… and you said “Dortmund”.

Elv: Well it was that Monroe look-a-like … she put me off … I couldn’t concentrate.

Col: So you may have been looking at the stars, but your mind was in the gutter.

Elv: Hey, there’ s a pal, get her number could you ? Tell her I’ve got a seven year itch she’s welcome to scratch. You know, I didn’t like the way Charlie Chaplin was looking at her. No values that man. Ah, she’s too old for him. He liked them young, barely out of their school uniforms …

Col: It’s no good knowing trivia about others … why don’t you read up ?

Elv: Why don’t you shut up, boy ? You can’t speak to me like that ! I made you what you are ! I took you out of that bar and gave you a firm foundation in life, set you up, away from that bedrock of sin and vice and nurtured you in an atmosphere of warmth and love and spiritual guidance. Now ! Get me Monroe’s number … I can’t get her tits out of my mind !

(Elvis gets up and prances around, fiddling with the TV’s, looking restless and generally lost as Colonel speaks. Halfway through the monologue, he sits down)

Col: I don’t know what to do with him. It was a joke at first, went on a bit long, but there was a line. As you can see, said line has been crossed, yes sir, and the truck is gonna keep on a-truckin’. He now refuses to believe that he’s not Elvis. He sits around all day, in the costume, same costume, watching TV’s, eatin’ junk and shouting out, “My boy, my boy.” Maybe it’s like a sleepwalker, you know, you’re not supposed to wake them. Imagine the shock he’d get when he realizes that he thought he was Elvis all these months. On the other hand, what if Elvis, his Elvis that is, suddenly realizes that’s he’s not who he thought he was, but he’s actually a bloke from Dortmund. You see where I’m going with this ? There’s one for the deconstructionists in the audience. Oh, I still work in that bar, for the time being. The boss told me to stop speaking to the customers about living with an Elvis impersonator. Apparently it’s depressing them and I have to survive on the tips. But why do all Elvis impersonators have to choose the 70’s Elvis ? Surely, if you’re gonna impersonate someone, you’d want to capture them at their best ? Why does no-one go with … the … ahhh … I have an idea. I won’t lie to you…it’s not without risk. There is, as you see, no safety net. Anything can happen and I cannot be held responsible. But I think it’s the only choice. You have been warned !

 (Exit)

Elv: Where you off to, boy ? Too ashamed by your behavior ? Well, I don’t hold grudges. You’ll be out of the ol’ doghouse soon and we’ll carry on as …

(Opening melody of ‘Are you lonesome tonight’ is heard, played by a toy xylophone. Elvis looks down at the landline phone and picks it up, slowly, with trepidation.)

Ahhhh … er, yeah, what, say, hello ? Yes, you are speaking to … The King … yes, say what, boy ? Burger Bar ? Yeah, I think it’s my God-given duty to open your Burger Bar … I’m a great patron of the arts. My fee …? er, well, hold the line … Colonel … COLONEL … Colonel ? Ah, heck, right, I’ll take 40,000 dollars cash and a bucket of burgers for the … hello ? Hello ? Damn Yankees ! Where’s the Colonel ? How dare he leave me before I sacked him. Kick his arse for sure. Skinny runt. Thinks he can talk like that to me … me ! The King …THE KING ! 

(attempts some moves but has to stop and rub his back)

Ohh, maybe it’s time I eased into my ballad period. Get the Colonel to hire some doo-wop backing chicks … short skirts, religious like. Oh, the …What in tarnation … ?

(The Colonel appears dressed in tight jeans with quiffed hair and carrying a guitar around his neck. He goes into a routine, singing and playing ‘Hound Dog’. The routine should start off quite serious and impressive until Colonel gets self conscious or loses his confidence and it becomes more of a parody. During this performance, Elvis gets increasingly irritated. First he is perplexed, then offended and finally angry. He tries to obstruct the Colonel, who is too nimble and quick. For the first time Elvis appears at least aware that there is an audience, as he tries to block the view and stop them seeing the ‘upstart’. Colonel then exits, singing and playing as he leaves. He gives one final turn and performs a series of pelvic-thrusts, then blows kisses. Elvis remains standing, breathing hard and heavy and mumbling to himself, though a few words may be intoned clearly. He seems to come to, breathes more calmly, then storms off stage. There are muffled sounds of Elvis screaming and cursing then some banging and thumping. Elvis reappears, dragging Colonel by the ear.)

Elv: I have never … never …

Col: (A la Gilbert & Sullivan) What never ? Or hardly ever ? Arrgghhh !

Elv: Ever seen such a hootenannying display of vulgarity. Boy ! My stomach is a turning over. I’m sick, sick, that a man could … and me … and … and… there’s nothing else for it. I’ve been carrying you for too long and this is how you say thank you, King. To think I was ever you ! The army didn’t come a moment too soon, doing my duty to God, serving in this fair country, comforting those little frauleins, all in the spirit of brotherhood and … and why weren’t you here ? Burger … burger … or whatever phoned … they had a gig for me … I don’t know how to speak to money people … my message is to the hearts, not the wallets. I only asked for 40,000 …see, they knew it’s too little, they must have thought they’d got hold of a crank. I HAD A GIG !  WHERE WERE YOU ? All this has cost me work … not to mention the insult, the … I’m trying, Lord, but … I can’t … I can’t. Some things are unforgivable. You have 24 hours to leave Graceland … and may the Lord have mercy on your soul.

(Exits)

Col: OK, so maybe I overdid it. I didn’t know he’d take it so hard. Disgraced in Graceland. Run out of town. Been given the boot. I’m no longer the pretend manager of a pretend Elvis. Maybe I could get a job as pretend Brian Epstein and pretend to manage pretend Beatles. What am I saying ? It’s getting to me … I have to leave, get back to normal people, have normal conversations, return to reality. Somebody around here has to. I don’t think it’s going to be him.

      END OF ACT TWO

Notes

(1) Hackershe Mackt an area in central Berlin where ladies of the night ply their trade.

One thought on “Takin’ Care of Business: Act Two

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