Classical Music: where to start ? Part 4 … Vienna!

29th March 2026

By Part Four, we have to introduce either Mozart or Beethoven, so why not introduce both. Vienna is a city resonating with music, coffee and culture, as well as being home to one of the world’s top orchestras, the Weiner Philharmoniker.

Let’s start with the aforementioned orchestra, performing the overture to Die Fladermaus by Johann Strauss II (Austria 1825 – 1899) at a traditional New Year’s Concert.

Joseph Haydn (Austria 1731 – 1809) has been called the “Father of the Symphony”, and can be seen as a link between Bach, Mozart and Beethoven. Here is the Adagio from his Cello Concerto in D Major.

Wolfgang Amadeus Mozart (Austria 1756 – 1791) began composing at the age of five. Requiem, his last composition, has been the subject of speculation and scandal, and is one of art’s famous unfinished works. The magnificent opening movement is Introitus.

From Mozart’s last work, to that of Ludwig van Beethoven’s (Germany 1770 – 1827). Mahler was certainly influenced by Beethoven, and this movement reminds me of Mahler’s Adagietto from the 5th Symphony … but that is for next week.

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Classical Music: where to start ? Part 3

22nd March 2026

Starting with a titan of Classical Music – Johann Sebastian Bach (Germany 1685 – 1750).

From such a wide and canonical repertoire, I’ve selected something a little different; a sonata extract but played on a traditional Swedish instrument, the nyckelharpa. Andante indicates a moderate tempo, a walking pace.

The next selection is the Intermezzo from Cavalleria Rusticana, a one-act opera, a contrast to Wagner’s gargantuan musical dramas. Pietro Mascagni (Italy 1863 – 1945) composed this major work in 1890.

Zbigniew Preisner (Poland born 1955) is closely associated with Polish film director Krysztof Kieślowski for whom he composed several soundtracks (notably the ‘Three Colours’ trilogy).

Requiem for my Friend from 1998 is a tribute to the director.

The first time I heard our final selection, I thought it was from a film soundtrack, possibly a Michael Nyman piece. I was therefore very surprised to discover that it was 200 years old.

The Piano Trio No. 2 was one of Franz Schubert’s (Germany 1797 – 1828) last compositions. I’ve selected the second movement, another Andante, inspired by a traditional Swedish folk song.

Classical Music: where to start ? Part 1

8th March 2026

So many composers, so many works, so many forms. Finding an entry into the world of Classical music can be daunting; symphonies, concertos, sonatas, requiems, arias, overtures, tone poems …

So, a series of selected pieces, introducing some of my favourite compositions.

To start, a sonata for oboe and piano by Francis Poulenc (France 1899 – 1963). Poulenc was a member of Les Six, a group of modernist composers in the 1920s.

A sonata has been described as an inward-looking piece, a main instrument supported usually (but not always) by a piano.

In contrast, Richard Wagner (Germany 1813 – 1883) wrote monumental operas which he termed music dramas. As some performances can last over five-hours, I recommend the instrumental prelude to Die Meistersinger von Nürnberg.

For some vocal music, I suggest Hildegard of Bingen (Germany 1098 – 1179).

Finally, one of my favourite composers, Ralph Vaughan William (UK 1872 – 1958). The Tallis Fantasia, my introduction to RVW’s music, is for string orchestra, and in one single movement.