Subject Index: Writing and film

4th December 2020

Seahorse Productions: my films, theatre and writing

Ao Tuong (dreams) 2020 // short film // Seahorse Productions 30th April 2020

Bad Faith 2005 // short film // Seahorse Productions 6th May 2020

Inferno 2007 // short film // Seahorse Productions 25th May 2020

Shadow Sonata 2014 // short film // Seahorse Productions 8th June 2020

Steppenwolf (2008) 2014 // short film // Seahorse Productions 15th May 2020

Waiting Fo(u)r Godard // one-actor play / Royalty-free // Seahorse Productions 5th September 2020:

https://thaypaulsnotes.com/2020/09/05/waiting-fo-u-r-godard-a-play-for-one-actor-two-laptops/?fbclid=IwAR3Sbi0dIZJSQGZOVB749tNA5YSE_zYzbF2UWwEhQX92IH8gvF3ep5ptvnY

Cinema

Close up // Iran 1990 (Abbas Kiarostami // Cinema // 25th February 2021: https://thaypaulsnotes.com/2021/02/25/pessoa-and-kiarostami-the-disquiet-of-close-up/

The Cranes Are Flying // USSR, 1957 (Dir: Kalatozov) // Cinema // 13th June 2020

Distracted // UK, 2018 (Dir James Devereaux) // 9th August 2020

Harold Lloyd // Hooray for Harold Lloyd // 28th June 2020

Noirish Project // UK, 2018 (Dir James Devereaux) // 11th July 2020

Music

Peter Green tribute // 18th February 2021: https://thaypaulsnotes.com/2021/02/18/peter-green-1946-2020/

Writing

Fernando Pessoa ‘Book of Disquiet’ // Cinema // 25th February 2021: https://thaypaulsnotes.com/2021/02/25/pessoa-and-kiarostami-the-disquiet-of-close-up/

Love and Chaos: A novel set in post-Wende Berlin of a pre-internet world. Set between the deaths of Kurt Cobain and Elliott Smith.

Title page, photo by Ana Svarz // 11th November 2020

Contents // 11th November 2020

Part One

Richard – 1 https://thaypaulsnotes.com/2020/11/11/love-and-chaos-part-1a/

Chris – 1 https://thaypaulsnotes.com/2020/11/11/love-and-chaos-part-1b/

Melanie – 1 https://thaypaulsnotes.com/2020/11/11/7839/

Marina – 1 https://thaypaulsnotes.com/2020/11/13/love-and-chaos-part-1d-marina-1/

Richard – 2 https://thaypaulsnotes.com/2020/11/14/love-and-chaos-part-1e-richard-2/

Chris – 2 https://thaypaulsnotes.com/2020/11/14/love-and-chaos-part-1f-chris-2/

Claudia – 1 https://thaypaulsnotes.com/2020/11/15/love-and-chaos-part-1g-claudia/

Chris – 3 https://thaypaulsnotes.com/2020/11/16/love-and-chaos-part-1h-chris-3/

Richard – 3 https://thaypaulsnotes.com/2020/11/17/love-and-chaos-part-1i-richard-3/

The Divine Poet From Florence https://thaypaulsnotes.com/2020/11/17/love-and-chaos-part-1j-the-divine-poet-from-florence/

Chris – 4 https://thaypaulsnotes.com/2020/11/18/love-and-chaos-part-1k-chris-4/

Shoulder – 1 https://thaypaulsnotes.com/2020/11/19/love-and-chaos-part-1l-shoulder-1/

Steffi – 1 https://thaypaulsnotes.com/2020/11/20/love-and-chaos-part-1m-steffi-1/

Part Two

Richard – 1 https://thaypaulsnotes.com/2020/11/22/love-and-chaos-part-2a-richard-1/

Chris – 1 https://thaypaulsnotes.com/2020/11/23/love-and-chaos-part-2b-chris-1/

The knock on the door https://thaypaulsnotes.com/2020/11/24/love-and-chaos-part-2c-the-knock-on-the-door/

Will – 1 https://thaypaulsnotes.com/2020/11/27/love-and-chaos-part-2d-will-1/

Firefly (prologue): https://thaypaulsnotes.com/2020/11/30/love-and-chaos-part-2e-firefly-prologue/

Firefly: https://thaypaulsnotes.com/2020/11/30/love-and-chaos-part-2f-firefly/

Nuno: https://thaypaulsnotes.com/2020/12/01/love-and-chaos-part-2g-nuno-1/

Chris – 2 https://thaypaulsnotes.com/2020/12/02/love-and-chaos-part-2h-chris-2/

Richard – 2 https://thaypaulsnotes.com/2020/12/03/love-and-chaos-part-2i-richard-2/

Part Three

Richard – 1 https://thaypaulsnotes.com/2020/12/05/love-and-chaos-part-3a-richard-1/

Chris – 1 https://thaypaulsnotes.com/2020/12/06/love-and-chaos-part-3b-chris-1/

Kurt C – 1 https://thaypaulsnotes.com/2020/12/06/love-and-chaos-part-3c-kurt-c-1/

Richard – 2 https://thaypaulsnotes.com/2020/12/07/love-and-chaos-part-3d-richard-2/

Hitch – 1 https://thaypaulsnotes.com/2020/12/09/love-and-chaos-part-3e-hitch-1/

Chris – 2 https://thaypaulsnotes.com/2020/12/13/love-and-chaos-part-3f-chris-2/

Part Four

Richard – 1 https://thaypaulsnotes.com/2020/12/15/love-and-chaos-part-4arichard-1/

Lorelei – 1 https://thaypaulsnotes.com/2020/12/18/love-and-chaos-part-4b-lorelei-1/

Chris – 1 https://thaypaulsnotes.com/2020/12/23/love-and-chaos-part-4c-chris-1/

The Concert of Grotesques: https://thaypaulsnotes.com/2020/12/28/love-and-chaos-part-4d-the-concert-of-grotesques/

Gabi – 1 https://thaypaulsnotes.com/2020/12/29/love-and-chaos-part-4e-gabi-1/

Chris – 2 https://thaypaulsnotes.com/2021/01/02/love-and-chaos-part-4f-chris-2/

Monika – 1 https://thaypaulsnotes.com/2021/01/09/love-and-chaos-part-4g-monika-1/

Richard – 2 https://thaypaulsnotes.com/2021/01/12/love-and-chaos-part-4h-richard-2/

Arizona Al – 1 https://thaypaulsnotes.com/2021/01/21/love-and-chaos-part-4i-arizona-al-1/

Art & Literature

Three poems and some Shakespeare // Auden, Betjeman, Larkin 19th July 2020:

https://thaypaulsnotes.com/2020/07/19/three-english-poems-and-some-shakespeare/fbclid=IwAR1WoY9acqpt_cOeeoXgFmYOKfJfLl73qtFO1zKJl80Luwaiop9aimgtJbo

Portrait, Landscape, Still Life (Wyndham Lewis, John Constable, Paul Cezanne) // Adult Class, Level 1 // 19th December 2018: https://thaypaulsnotes.com/2018/12/19/adult-class-level-1-lessons-1-2/

Three English poems and some Shakespeare

19th July 2020

W.H. Auden

1907 – 1973

Reading the Maps: Yesterday the struggle: EP Thompson, Auden, and ...

Are you there ?

Each lover has some theory of his own
About the difference between the ache
Of being with his love, and being alone:

Why what, when dreaming, is dear flesh and bone
That really stirs the senses, when awake,
Appears a simulacrum of his own.

Narcissus disbelieves in the unknown;
He cannot join his image in the lake
So long as he assumes he is alone.

The child, the waterfall, the fire, the stone,
Are always up to mischief, though, and take
The universe for granted as their own.

The elderly, like Proust, are always prone
To think of love as a subjective fake;
The more they love, the more they feel alone.

Whatever view we hold, it must be shown
Why every lover has a wish to make
Some kind of otherness his own:
Perhaps, in fact, we never are alone.

John Betjemin

1906 – 1984

John Betjeman was a mediocre poet – but he wrote one brilliant poem

This poem is about a small industrial town, outside of London. The poet criticises the place for its lack of culture and atmosphere, and the people for being mediocre. The place is pronounced ‘sl – owl’ to rhyme with ‘cow’ and ‘now’.

Slough

Come friendly bombs and fall on Slough!
It isn’t fit for humans now,
There isn’t grass to graze a cow.
Swarm over, Death!

Come, bombs and blow to smithereens
Those air -conditioned, bright canteens,
Tinned fruit, tinned meat, tinned milk, tinned beans,
Tinned minds, tinned breath.

Mess up the mess they call a town-
A house for ninety-seven down
And once a week a half a crown
For twenty years.

And get that man with double chin
Who’ll always cheat and always win,
Who washes his repulsive skin
In women’s tears:

And smash his desk of polished oak
And smash his hands so used to stroke
And stop his boring dirty joke
And make him yell.

But spare the bald young clerks who add
The profits of the stinking cad;
It’s not their fault that they are mad,
They’ve tasted Hell.

It’s not their fault they do not know
The birdsong from the radio,
It’s not their fault they often go
To Maidenhead

And talk of sport and makes of cars
In various bogus-Tudor bars
And daren’t look up and see the stars
But belch instead.

In labour-saving homes, with care
Their wives frizz out peroxide hair
And dry it in synthetic air
And paint their nails.

Come, friendly bombs and fall on Slough
To get it ready for the plough.
The cabbages are coming now;
The earth exhales.

Slough Trading Estate bosses at SEGRO launch £10million fund ...
Mars bars, Ford GT40s and David Brent: The Slough Trading Estate ...

Slough

Philip Larkin

1922 – 1985

Philip Larkin and Me: A Friendship with Holes in It | The New Yorker

Toads 

Why should I let the toad work
Squat on my life?
Can’t I use my wit as a pitchfork
And drive the brute off ?

Six days of the week it soils
With its sickening poison –
Just for paying a few bills!
That’s out of proportion.

Lots of folk live on their wits:
Lecturers, lispers,
Losels, loblolly-men, louts-
They don’t end as paupers;

Lots of folk live up lanes
With fires in a bucket,
Eat windfalls and tinned sardines-
they seem to like it.

Their nippers have got bare feet,
Their unspeakable wives
Are skinny as whippets – and yet
No one actually starves.

Ah, were I courageous enough
To shout Stuff your pension!
But I know, all too well, that’s the stuff
That dreams are made on:

For something sufficiently toad-like
Squats in me, too;
Its hunkers are heavy as hard luck,
And cold as snow,

And will never allow me to blarney
My way of getting
The fame and the girl and the money
All at one sitting.

I don’t say, one bodies the other
One’s spiritual truth;
But I do say it’s hard to lose either,
When you have both.

William Shakespeare

1564 – 1616

How to read Shakespeare for pleasure

Hamlet, Act II, Scene II

 Ham.  I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late,—but wherefore I know not,—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me but a foul and pestilent congregation of vapours. What a piece of work is a man! How noble in reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me; no, nor woman neither, though, by your smiling, you seem to say so.

William Shakespeare quote: What a piece of work is a man, how noble...
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