The last two lessons focused on adjectives and their opposites, including:
big~ small // high ~ low // sharp ~ blunt //
easy ~ difficult // rough ~ smooth //
quiet ~ noisy // fat ~ thin // safe ~ scary
Complete the sentences with the correct adjective.
I can’t cut my hair, my scissors are __________
My puppy is so _______ however, my hedgehog is very _____________ .
The maths test was so _______ however the science test was so ________________ .
Be careful, Ms Thuy ! The man is very ______ .
Laurel and Hardy are so funny. One is very _____ however, one is very ______ .
Yoyoko is only _________________ however she is very ______________ !
Harold is climbing very _____
Oh, no ! Crocodiles have very ______ teeth.
Now … your turn
Get out your list of adjectives. Write THREE sentences with new adjectives.
To help, look at these photos:
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Which brings us to the theme of safety and the book work for the Saturday Class.
E up U 2, L 1
British culture
As a break, a little introduction to the UK and its history and traditions. The beginning of November sees Bonfire Night or Guy Fawkes Night
In 1605, a group of men wanted to kill the King of England, James I. They wanted to blow up the building where the King was going to be, so they hid 36 barrels of gunpowder under the building. However, the King’s soldiers found one of the men, Guy Fawkes, and arrested him. The King was safe ! To celebrate, people made giants fires called bonfires : https://www.youtube.com/watch?v=Wnq7aqHLCSM
Start and play up to 0:52 to explain the background, then from 3:25 and have the class copy the children in the video. This helps with pronunciation as well as learning new words, and learning about Britain.
We still do this today. Also, children help to make a Guy Fawkes from old clothes and old bags, and then adults put it on the fire. Finally, there are fireworks, sometimes at home, sometimes in parks so everyone can see.
Many different types of fireworks are used:
Some young children are holding sparklers – they have to wear gloves and be VERY CAREFUL.
In the early 1990s, I inherited an 8mm Bell & Howell cine camera and, with my flatmate Martin O’Shea as actor, began making short films in the East End of London.
8mm cine camera late 1950s / early 1960s
We had a two-bedroom flat near Mile End Tube Station (which we could somehow afford on a student grant), walking distance to Bethnal Green, Brick Lane and Limehouse, areas synonymous with names such as Hawksmoore (the architect), The Kray Twins (local crime lords) and Jack the Ripper (local ripper).
St George in the East, a Hawksmoore church
The area is incredibly historic, and well worth a walk for local historians, psychogeographists, or anyone with a passing interest in this less salubrious quarter of London.
Ragged School Museum, Mile End
Walk is what we did, one Saturday night, up to Victoria Park, down to the street markets of Brick Lane and back home via the city farm at Stepney and a visit to St Dunstan and All Saints Church, where we had a lovely chat with the vicar. He was in his working outfit, white, pressed and clean … us, none of the above.
This was where we decided to film what was, I believe, our first film together, ‘A Day Well Spent’, and I think this would be Spring 1992.
St Dunstan and All Saints Church, Stepney, East London
Now the technical side. 8mm film lasted four minutes in total. The film had to be thread, in a figure 8 shape, in the camera, then reversed after 2 minutes. This meant keeping careful time, and not shooting anything vital in the dying seconds before the film ran out.
The film was silent and the camera, I believe, had no zoom and no auto-aperture; the light had to be set manually. Basically, it was a ‘point and shoot’ affair. Close-ups had to be physically close, long-shots, far away.
So, we had four minutes to tell a story, beginning, middle and end. Martin plays a tramp, a happy-go-lucky, Chaplinesque character. He awakes, on a rubbish heap, scratches himself, looks around and gets up. He wanders through the City farm at Stepney
Stepney City Farm
Naturally, he’s hungry and seeing the chickens gives him an idea; he has to ‘procure’ an egg for breakfast, without being detected or suffering an avian assault. With his cunning and agility, he is successful, and celebrates his victory by holding his prize aloft as he runs past St Dunstan’s.
However, when he searches his pockets, he only has a fork with twisted prongs … not a suitable implement to eat his breakfast. Disappointed, he throws the egg away, and decides to go back to sleep.
We also had a recurring event, namely a visit from the rozzers (London slang for police). One burly boy in blue was curious what we ne’re-do-wells were up to in his manor. To see a young guy, in trenchcoat, asleep on a rubbish tip alerted his instincts. And we had a recurring escape, namely I showed my camera and all became clear … “Oh, they’re making art,” heavy irony on the pronunciation of ‘art’, and that sarcasm has repeated through the years.
Or maybe, like most people of my generation, he would have seen some short compilation films on BBC1 after 5.30 pm and before the 6.00 pm News. This was how so many of my friends were introduced to the world of Harold Lloyd.
Everyone knew Chaplin, most people had heard of Buster Keaton, but Mr Harold Lloyd was totally unknown. That all changed with a series of 20-minute programs featuring scenes from his silent films … and all my school-friends were knocked out by them. You would even hear people shout out as they left school, “Don’t forget to watch Harold Lloyd.”
Harold Lloyd, referred to as ‘The Third Genius’ was, and remains, a major influence, especially in how to tell a story by images alone and how comedy works. This photo from ‘Safety Last’ (1924) is iconic … and even more amazing when you know that Lloyd lost a thumb and finger in an accident on a film set.
His films and many clips are available on YouTube. I used to show them during break time to my Kindergarten class, and they loved him … I was able to silence 15 hyper-active kids with a silent movie star.
Meanwhile, Mr O’Shea is busy in Berlin with a massive project: to put all our 8mm and Super 8 films onto computer, add commentaries and upload them on social media. Wish him luck, and take some time to watch Harold Lloyd … you won’t be disappointed